Dian Suci is the winner of the tenth edition of the Max Mara Art Prize for Women (2025-2027)
Max Mara, Collezione Maramotti and Museum MACAN are pleased to announce, along with prize curator Cecilia Alemani, that Dian Suci has been named winner of the tenth edition of the Max Mara Art Prize for Women.
The award, which was established to support and promote emerging or mid-career artists at a crucial stage in their professional paths, will offer Dian Suci a six-month travelling residency in Italy, organized by Collezione Maramotti and specifically tailored to the development of the project Suci proposed to the jury. This experience will culminate in a solo show at Museum MACAN in Jakarta in the summer of 2027; it will be presented again that autumn in Reggio Emilia, Italy, at Collezione Maramotti, which will acquire the works.
The winner was announced by Cecilia Alemani, curator of the Max Mara Art Prize for Women and chair of the jury, along with Sara Piccinini, Director of Collezione Maramotti, Venus Lau, Director of Museum MACAN, and Elia Maramotti, representative of the family that founded Max Mara and Collezione Maramotti, on 7 May 2026, in conjunction with the opening of the 61st International Art Exhibition – La Biennale di Venezia, titled In Minor Keys and curated by Koyo Kouoh.
Dian Suci, who was on a shortlist of five finalists that included Betty Adii, Dzikra Afifah, Ipeh Nur and Mira Rizki, was singled out by a jury selected and chaired by Cecilia Alemani, made up of MACAN Director Venus Lau, curator Amanda Ariawan, gallerist Megan Arlin, collector Evelyn Halim and artist Melati Suryodarmo.
Dian Suci (b. 1985 in Kebumen, Indonesia) lives and works in Yogyakarta. Her practice lies at the intersection of domestic narratives and state political power. Drawing on her everyday experiences as a single mother, her work addresses issues connected to the political domestication of women, authoritarianism and fascism, the patriarchy and capitalism. Acutely aware of spatial composition, Suci employs a variety of media, including installation, painting, sculpture and video.
The project proposal with which the artist won the tenth edition of the Max Mara Art Prize for Women is titled Crafting Spirit: Cultural Dialogues in Heritage and Practice. It springs from her desire to explore the fallout of the encounter between religious artisan traditions and the capitalist system, through a comparative study of Italy and Indonesia.
The handcrafting of votive objects and religious images will become the hub of Suci’s enquiry into the commoditization and exploitation of belief in contemporary culture. Her research is intended to examine whether and how spirituality, even in systems permeated by market dynamics, injustice and oppression, can endure as a form of cultural resilience.
This new body of work sets out to retrace the embodiment of faith, care and rituality in physical gestures and manual labour. Suci sees crafts as a living archive that testifies to the traditions and memory of a nation, a mirror and mouthpiece for its cultural, social and economic transformation and evolution. Deeply rooted in Indonesian culture, her vision extends the concept of spirituality beyond the purely religious sphere into a dimension where human beings, through careful repetitive actions grounded in the body, grant meaning to what remains unexpressed. Crafting Spirit will examine how belief and craft can be interwoven and, in particular, how the sacred is transformed into a material presence in a way that reflects the invasive forces of profit and globalization.
With the guidance of experts in specific fields and through research, site visits and work in the studio, Suci will explore the silent flow of spirituality moving through bodies, hands, and materials, even within the process of mass production and commoditization. The artist will dialogue with religious communities and congregations, with university professors, with artisans and other artists who will guide her in her research and her acquisition of the technical skills necessary to create these new works.
The first stage of Suci’s residency will take her to Assisi, Umbria, where she will stay at the Monastery of San Masseo; this will give her the opportunity to learn about the monks’ way of life and to meet artisans who produce Catholic handcrafts. After this, under the guidance of Francesco Lampone, an expert in local history, and the artist Peter Bartlett, Suci will examine the contradictions that divide religion and capitalism.
The artist will then move to Rome, Lazio, where she will be a guest of the Istituto Svizzero. This part of the residency will allow her to attend Mass at Saint Peter’s, accompanied by an expert in liturgy who will help her explore and analyse the symbology and hidden meanings of the rite.
The next stop will be Lecce, Puglia, where Suci will learn more about regional religious celebrations and about the techniques and history of papier-mâché in the East and West. The programme in this city has been specifically developed for her by artist and artisan Stella Ciardo, curator Gioele Melandri and P.I.A - Scuola Indipendente per le Arti Visive e gli Studi Curatoriali.
The final period of her residency will centre on Florence, Tuscany. Here, Suci will take part in a workshop conceived by Chiara Mignani, a conservator and professor at the Opificio delle Pietre Dure and at Accademia di Belle Arti, Bologna, to learn the technique and historical evolution of egg tempera. Lastly, at Fondazione Arte della Seta Lisio, the artist will acquire handweaving skills and expand her knowledge of its applications in the ecclesiastic sphere.