This Body Made of Stardust

Collezione Maramotti presents This Body Made of Stardust, an extensive solo exhibition by Viviane Sassen comprising more than fifty photographs and a video, all dating from 2005 to 2025, with several new works made specifically for the occasion.
The show—which is part of the twentieth Fotografia Europea festival, Being Twenty—is the most extensive presentation of Sassen’s work in Italy to date and is curated by the artist herself.

Through a non-narrative structure built from visual fragments and formal links between images that seem very different, Sassen invites us into a many-sided, dreamlike, seductive universe distilled drop by drop from everyday life and instilled with Surrealism, flowing out of the artist’s interaction (her fantasies, obsessions, memories and fears) with the outside world.

Forming a dialogue with sculptures from Collezione Maramotti (by Evgeny Antufiev, Kaarina Kaikkonen, Fabrizio Prevedello and TARWUK) to which Sassen felt an immediate affinity, the photographs in the show are drawn from different series of works in her vast archive, which the artist has been reworking into different configurations for years now, in a sort of long-term investigative project.
Sassen, who has a deep connection to three-dimensional art, as well as design and fashion, also calls herself a sculptor. She shapes light – and, above all, shadow, a metaphor for the torments and desires of the human psyche; she molds bodies and objects; she forges bold, vibrant, intense colours, even introducing paint, ink, and collage into her practice to add a new dimension to the photographic image.
Her multiform works capture and hold the gaze in the gaps of their mystery, perpetually generating new ripples and levels of meaning. Through a process of layering, Sassen reveals what is hidden under the surface. Almost nothing is what it seems at first glance; in this interlacing of reality and fiction, within ambiguous compositions that seem to shift and reform every time we look at them, our perceptions are constantly called into question.

We encounter a large palm frond clasped in two young people’s embrace; a proliferation of plants and fungi, clusters of cells and rhizomatic creatures; faceless bodies of flesh and stone, mutilated and disjointed, cradled by the earth or the water, wrapped up, enveloped, repeatedly posed and recomposed; tree trunks standing like stelae and graves on the thresholds of unknown realms; unwitting, shapeshifting warriors of the future. In her attempt to “grant structure to chaos,” Sassen transfigures the normal Latin term into her own memento amoris, inviting viewers to see the beauty and awe of passage. We are dust (and to dust we will return), but that dust is stardust.

The exhibition is accompanied by a catalogue with texts by Federica Angelucci of STEVENSON, Cape Town, and the art critic and curator Marco Scotini.